I focus on scenic design for plays and musicals, with an art-first process rooted in story, composition, and performance. I also provide renderings when teams need visual alignment before rehearsal and build.

Use the contact page or email info@brandonptdavis.com with your production title, venue, dates, and goals. From there, we can define scope, timeline, deliverables, and collaboration workflow.

Most scenic design projects move through script analysis, visual research, concept development, drafting, and production collaboration. Timing depends on production scale, build schedule, and how early the team can begin design development.

Yes. I am a member of United Scenic Artists, Local USA 829.

No. I am based in California and work with teams regionally and nationally. Remote collaboration is built into my process, with travel available as needed for production milestones.

Yes. Rendering-only support is available for pitches, season planning, donor decks, and internal production alignment when full scenic design is not needed.

I collaborate closely with directors and the full design team so the scenic world supports story, performer movement, and the production’s visual language.

Yes. I regularly work with academic and training programs, and I also offer teaching and mentorship in scenic design practice.

Pricing is based on scope, schedule, venue needs, and deliverables. Depending on project type, rates can be fee-based or hourly with clearly defined milestones.

Yes. My experiential work applies scenic storytelling principles to live events and branded environments, while my core practice remains scenic design for performance.

Absolutely. When the project calls for it, theatrical storytelling and experiential strategy can reinforce each other to create clear, emotionally resonant audience experiences.

Phillip Thomas.