Little Shop of Horrors

For Little Shop of Horrors at Okoboji Summer Theatre, I didn't want to lean into camp. The script is funny, but the stakes are real. The design was grounded in a worn, urban storefront that felt structurally honest: brick, aging trim, patched surfaces, and practical doors that made the space believable.

The flower shop sat inside a slightly compressed proscenium frame, giving the environment a boxed-in quality. That pressure mattered. Seymour's world needed to feel small before Audrey II made it feel dangerous. The palette stayed gritty and desaturated so the plant and costumes could carry visual contrast while the realism gave the horror weight.

Details are specific: layered brick texture, working windows, period signage, and practical counters that allow choreography to move cleanly through the shop. The goal is not nostalgia for a 1960s musical. It is tension. As the plant grows, the environment does not become bigger. It becomes more claustrophobic.