Scenic Design Projects
My portfolio of scenic and experiential design.
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Million Dollar Quartet
Designing Million Dollar Quartet at South Coast Repertory was about capturing both the intimacy of a recording studio and the energy of a cultural turning point. The set, created in collaboration with co-scenic designer Efren Delgadillo Jr., director James Moye, and associate director Kim Martin-Cotten, grounds the action in Sam Phillips’s Sun Records studio while heightening the theatricality of the music itself.
The illuminated “SUN” sign, inspired by Elvis Presley’s concert signage, anchors the design as both a historical reference and a beacon of rock ’n’ roll. Around it, the details of the studio — wood floors, gold records, and instruments ready to play — create a space where audiences can feel the immediacy of collaboration. The design celebrates the moment when four musicians came together, pushing one another toward a sound that would change American music forever.
Much Ado About Nothing
Scenic design by Brandon PT Davis for Shakespeare’s Much Ado About Nothing. Produced at the New Swan Shakespeare Festival, the design reimagined the comedy as a Spaghetti Western, complete with a saloon backdrop, swinging doors, and hand-painted red wallpaper that grounded the farce in a dusty frontier world.
All’s Well That Ends Well
Scenic design by Brandon PT Davis for Shakespeare’s All’s Well That Ends Well. Produced at the New Swan Shakespeare Festival, the design embraced the Elizabethan-style outdoor venue, layering minimal architectural elements and adaptable staging to support repertory storytelling.
Urinetown
Scenic design by Brandon PT Davis for the 2024 production of Urinetown at the University of Missouri–Columbia. The dystopian set featured fractured walls, rusted textures, and looming industrial forms, creating an oppressive environment that mirrored the musical’s satirical bite.
Freaky Friday
Scenic design by Brandon PT Davis for Disney’s Freaky Friday. Produced at Okoboji Summer Theatre, the design emphasized transformation and versatility with bright color, layered units, and playful details that reflected the musical’s family-centered comedy and magical body-swap premise.
Boeing, Boeing
Scenic design by Brandon PT Davis for Marc Camoletti’s Boeing Boeing. Produced at Stephens College, the design featured a stylish 1960s apartment with multiple doors, heightening the play’s farcical pace and comic timing.
Head Over Heels
Scenic design by Brandon PT Davis for the jukebox musical Head Over Heels, featuring the music of the Go-Go’s. Produced at Theatre SilCo (formerly Lake Dillon Theatre Company), the design combined classical references with playful, vibrant colors to reflect the mashup of Elizabethan comedy and 1980s pop spirit.
The Merry Wives of Windsor
Scenic design by Brandon PT Davis for Shakespeare’s The Merry Wives of Windsor. Produced at Stephens College’s Macklanburg Playhouse, the production was set in the 1950s, with a suburban façade and a series of doors that amplified the farce through playful timing and visual humor.
An Inspector Calls
Scenic design by Brandon PT Davis for J.B. Priestley’s An Inspector Calls. Produced at Stephens College, the design emphasized class tension and looming mystery with a richly detailed Edwardian setting, layered architecture, and shadow-driven atmosphere.
A Funny Thing Happened on the Way to the Forum
Scenic design by Brandon PT Davis for Stephen Sondheim’s A Funny Thing Happened on the Way to the Forum. Produced at Lake Dillon Theatre Company, the design featured three distinctive Roman houses in a stylized, cartoon-inspired manner, blending classical motifs with farcical energy.
Tomás and the Library Lady
Scenic design by Brandon PT Davis for Tomás and the Library Lady, adapted by José Cruz González from the book by Pat Mora. Produced at Lake Dillon Theatre Company, the design created a welcoming library with warm wood tones, versatile shelving, and a central desk as the storytelling hub.
Lysistrata
Scenic design by Brandon PT Davis for Aristophanes’ Lysistrata. Produced at Stephens College, the design highlighted the comedy’s playful irreverence with heightened classical motifs and flexible staging for ensemble-driven storytelling.
The Penelopiad
Scenic design by Brandon PT Davis for Margaret Atwood’s The Penelopiad. Produced at Stephens College, the design combined minimalism with ritualistic elements, creating a versatile environment for shifting narratives of myth, memory, and justice.
Company
Scenic design by Brandon PT Davis for Stephen Sondheim’s Company. Produced at Stephens College, the design emphasized fluid transitions and abstract urban motifs to support the show’s fragmented narrative and shifting relationships.
The Pajama Game
Scenic design by Brandon PT Davis for the musical The Pajama Game. Produced at UC Irvine, the design balanced playful color and modular scenery, capturing the energy of the factory setting and the show’s 1950s spirit.
Parliament Square
Scenic design by Brandon PT Davis for James Fritz’s Parliament Square. Produced at Stephens College, the design emphasized abstraction and fragmentation to reflect the play’s psychological intensity and political urgency.
American Idiot
Scenic design by Brandon PT Davis for the rock musical American Idiot. Produced at Stephens College, the design reflected the show’s raw energy with industrial textures, collage-like elements, and a fragmented urban landscape.
Angel Street
Scenic design by Brandon PT Davis for Angel Street (also known as Gaslight). Produced at Okoboji Summer Theatre, the design built a richly detailed Victorian interior to heighten the play’s psychological tension.
All My Sons
Scenic design by Brandon PT Davis for Arthur Miller’s All My Sons. Presented at Okoboji Summer Theatre, the design captured the Keller family’s backyard with period detail and layered symbolism.