The Pajama Game

University of California, Irvine — 2019

Design Notes

Bold signage and shifting factory elements framed the world of The Pajama Game, capturing the bustling rhythm of the 1950s Sleep-Tite Pajama Factory. Strong mid-century shapes and typography gave the stage both flexibility and personality, keeping transitions fast and the focus on choreography.

The story balances spirited romance with a sharp labor dispute, so the set had to serve both. A vibrant factory palette and repeating structures suggested energy and postwar optimism, while signage and movable units emphasized the workplace mechanics—and the conflict over fair wages driving the plot.

A modular approach supported dance-heavy staging: rolling units transformed quickly, adapting from intimate encounters to full-ensemble numbers. That adaptability underscored the tension between personal connection and collective struggle—central themes of the show.

The result was a world that felt playful yet pointed. Period-authentic signage grounded the audience in the 1950s, while a bold, graphic style heightened the theatricality. The set partnered the performers—dynamic enough to energize musical numbers, rooted enough to carry a story about love, labor, and finding joy amid conflict.

Creative Team

Music & Lyrics byRichard Adler & Jerry Ross
Book byGeorge Abbott & Richard Bissell
Directed byDon Hill
Music DirectionLex Leigh
ChoreographyAllison Eversol
Scenic DesignBrandon PT Davis
Costume DesignSarah Monaghan
Lighting DesignNatori Cummings-Haynes
Sound DesignNingru Guo

 
Brandon PT Davis

Brandon PT Davis is a scenic and experiential designer whose work spans theatre, themed entertainment, and education. With more than 130 productions to his name, he explores how technology, storytelling, and collaboration shape the art of scenic design. His blog, Scenic Insights, reflects on design philosophy, process, and emerging tools while sharing resources for students and professionals alike.

https://www.brandonptdavis.com
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