There's a portrait that watches over the Macklanburg Playhouse. If you've ever performed there, you've seen it—Maude Adams, eyes just over your shoulder as you step into the light. The original Peter Pan. A Broadway icon. But more than that: a pioneer in theatrical lighting and the former head of the drama department at Stephens College.

When I first read All My Sons, its themes of family, morality, and the American Dream resonated deeply. It made me think of my father's side of the family, who grew up in the small town of Paris, Missouri. To me, my grandparents embodied that post-war American Dream that Miller explores in his play. My grandfather was a Korean War veteran who built a career as a traveling salesman, driving his blue van through neighboring towns, selling sunglasses, action figures, keychains, and gloves that stocked dime stores across the Midwest. My grandmother, meanwhile, owned and operated a variety store—a quintessential small-town American business built through determination and hard work.