Boeing, Boeing — The Conservatory at Stephens College

Design Notes

For Boeing Boeing, I leaned fully into midcentury modernism to evoke the stylish, high-stakes world of Marc Camoletti’s iconic French farce. Set in a sleek 1960s Paris apartment, the design draws from the clean architectural geometry and masculine materiality of the era—rich wood paneling, sharp vertical lines, and a palette of warm neutrals punctuated by bold accent colors.

At the heart of the space is Bernard’s entry vestibule, framed by blonde brick and anchored by a striking cobalt-blue front door that instantly grabs the audience’s attention. This door becomes a comedic focal point, rhythmically opening and closing as the characters’ lives spiral into farcical chaos. Overhead, a sculptural orange Sputnik chandelier lends flair and period authenticity while heightening the design’s visual rhythm.

The furniture and décor were chosen with precision: the tufted leather sofa, asymmetrical coffee table, and geometric wall art suggest a bachelor’s taste—sophisticated, curated, and just a bit showy. Each door in the apartment—six in total—represents the orbit of Bernard’s complicated romantic life, each with its own spatial logic that supports the timing and choreography essential to farce.

This is a world of control and illusion: Bernard’s lifestyle teeters on precision, and the design reflects that with symmetry and order—only to unravel as the narrative does. Subtle scenic clues, like mismatched souvenirs and the plants creeping into frame, hint at the chaos brewing beneath the polished surface.

Ultimately, the set is more than a backdrop—it’s a visual partner in the comedy. Every design choice supports the pace, stakes, and absurdity of the script, grounding the action in an aesthetic that feels both glamorous and precarious. In this fast-moving world of deception and desire, the apartment becomes a character all its own.