I’m thrilled to announce my scenic design debut at South Coast Repertory — co-designing Million Dollar Quartet, opening this fall on the Segerstrom Stage with such a talented team.

On August 28, 2025, I stepped into the world of professional comedy theatre at Seattle Rep, assisting my longtime mentor, Tom Buderwitz, on the hysterical production of The Play That Goes Wrong.

How to Succeed in Business Without Really Trying opened at Okoboji Summer Theatre, closing the 67th season with a fast-paced, detail-rich production.

This summer marks my 40th production at Okoboji Summer Theatre — my 15th season with the company. Time has flown, and I’m grateful for the people who’ve been there every step of the way.

Suspense, wit, and intricate staging — Deathtrap opened at Okoboji Summer Theatre with a review praising the set as “detailed and beautiful.”

This summer, I’m honored to serve as the Season Scenic Designer for the New Swan Shakespeare Festival—bringing All’s Well That Ends Well and Much Ado About Nothing to life in UCI’s stunning outdoor theater.

This summer marks my fifth season assisting Jo Winiarski at the Utah Shakespeare Festival. Tonight The Importance of Being Earnest opens, followed by A Gentleman’s Guide to Love and Murder and Steel Magnolias.

Tonight is opening night for Romero, a world-premiere play at the University of Missouri directed by Dr. David Crespy—and I’m proud to be its Scenic Designer.

Stoked to be designing Bell, Book and Candle, Deathtrap, and How to Succeed... at Okoboji Summer Theatre this summer, as part of the Conservatory’s immersive season announcements.

SLO Review calls Shut Up, Sherlock “a standing-ovation-worthy romp,” and I’m proud to see my scenic design recognized alongside a brilliant creative team.

SLO Review calls Guys on Ice “warm and funny,” with special recognition for how the scenic design supported the comedy and camaraderie at the heart of the show.