That sensibility became the foundation for this design.
Onstage, two coupled buildings frame stage right—architecturally linked, echoing domestic partnership. In contrast, the lone red-brick structure on stage left stands apart, reflecting Bobby’s solitude and emotional remove. Fire escapes, stoops, and ladders rise throughout the set, offering both physical and metaphorical mobility. Backlit windows glow in purples, pinks, and blues, suggesting private lives just out of reach.
A dynamic color-shifting cyc forms the skyline, transitioning with mood and music. This abstract cityscape—sometimes blue and expansive, other times pulsing with disco energy—captures the shifting emotional rhythm of Sondheim’s nonlinear world. The orchestra sits embedded between buildings, grounding the city in sound.
Rather than literal apartments, the design creates a landscape of longing—an exterior world where people connect, drift, and circle around love. It’s a New York built from memory and movement, shaped by what we see from the outside looking in. The set, like the city, holds the ache and possibility of modern adulthood—imperfect, exhilarating, and always just out of reach.