Scenic Design Portfolio
MILLION DOLLAR QUARTET
A co-scenic design for South Coast Repertory’s 2025 production of Million Dollar Quartet, built around the intimacy of Sun Records and the explosive energy of four artists changing music history together.
THE GLASS MENAGERIE
A memory-play scenic design for The Glass Menagerie at Maples Repertory Theatre, built around an elevated Wingfield apartment, porous thresholds, and visual traces of Tom's narration.
ALL'S WELL THAT ENDS WELL
Drapery, heraldic detail, and operatic reveal carried this New Swan production between the ceremonial restraint of Roussillon and the warmer theatrical world of Florence.
BELL, BOOK, AND CANDLE
A grounded mid-century apartment for Bell, Book, and Candle, built to let wit, intimacy, and supernatural undertones emerge from a believable domestic interior.
MUCH ADO ABOUT NOTHING
Shakespeare’s romantic comedy reframed through a wild-west visual world of saloon architecture, rough timber, and repertory-friendly frontier detail.
GUYS ON ICE
A playable frozen-lake environment for Guys on Ice, balancing broad musical comedy with the quiet sincerity of Midwestern winter life.
ROMERO
The world premiere of Romero was staged as a ritual container for memory, rupture, and spiritual reckoning rather than a literal historical reconstruction.
URINETOWN
A compressed civic machine for Urinetown, industrial, stratified, and sharply theatrical, built to hold the musical’s satire of scarcity, power, and class.
BAREFOOT IN THE PARK
A compact New York walk-up whose scale, stairs, and thresholds turn Barefoot in the Park into a comedy of spatial pressure.
FREAKY FRIDAY
A fast, flexible scenic system for Freaky Friday, designed to hold body-swap comedy, emotional reversals, and high-energy ensemble motion without losing clarity.
AN ENEMY OF THE PEOPLE
A grayscale illustrated world punctured by red furniture, making scrutiny feel constant and comfort impossible in An Enemy of the People.
DIAL “M” FOR MURDER
An elegant apartment held inside darkness, where every threshold, sightline, and piece of furniture sharpens suspense in Dial “M” for Murder.
COLE
A late-night jazz-age room for Cole, anchored by a grounded bar, black-and-white tile, and an onstage band so the music feels intimate and sourced from the space itself.
HEAD OVER HEELS
Arcadia reimagined through 1980s club culture, using a modular, high-saturation world that moves with the pulse of the Go-Go’s.
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE
A recognizable middle school gymnasium whose plainspoken details ground the awkward humor and surprising sincerity of Spelling Bee.
¡LOTERIA: GAME ON!
Beginning in a suburban basement family room, the design transforms into a vivid Loteria card-world where childhood play, digital spectacle, and cultural memory collide in full view of the audience.
BOEING, BOEING
A sleek Paris apartment turned into a machine for farce, using polished surfaces, calibrated entrances, and escalating comic collapse in Boeing, Boeing.
AN INSPECTOR CALLS
The Birling home rendered as a composed domestic world built to fracture under pressure, with order, sightlines, and entrances serving the play’s moral unraveling.
THE MAN OF LA MANCHA
A warehouse-inspired found-object environment for Man of La Mancha, letting imagination emerge from raw material, live transformation, and a central ritual playing space.
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM
Three heightened Roman façades turned A Funny Thing Happened on the Way to the Forum into a comic machine, balancing classical reference with cartoon-like exaggeration and the speed of farce.
THE BALD SOPRANO
An absurd domestic interior bent out of proportion, where scenic and lighting design worked together to turn polite drawing-room order into something unstable, comic, and quietly threatening.
TOMÁS AND THE LIBRARY LADY
Warm, legible spaces for Tomás and the Library Lady, designed to move between domestic reality and imaginative expansion while supporting bilingual storytelling and literacy.
THE MERRY WIVES OF WINDSOR
Shakespeare’s comedy reframed as a campy 1950s sitcom, with bold color, graphic framing, and flown doors giving Merry Wives a faster, more cinematic rhythm.
THE MARVELOUS WONDERETTES: DREAM ON
A familiar high school gym stage becomes a container for time, letting 1960s polish shift into 1970s warmth, nostalgia, and reunion energy in Wonderettes: Dream On.
THE PENELOPIAD
A ritual memory space for The Penelopiad, where Penelope and the maids testify within the same visual architecture, balancing epic framing with intimate address.
COMPANY
New York framed as a landscape of longing in Company, pairing coupled buildings, a lone brick structure, and a color-shifting skyline to reflect connection, solitude, and modern adulthood.
THE PAJAMA GAME
Bold signage, modular factory architecture, and mid-century graphic energy support both romance and labor tension in The Pajama Game.
PARLIAMENT SQUARE
A circular stone path and fractured concrete world create a ritual landscape of protest, sacrifice, and political exhaustion in Parliament Square.
NOT NOW, DARLING
A British boutique interior sharpened with Wes Anderson-inspired color and farce-ready door logic, giving Not Now, Darling a polished comic world built for speed, confusion, and precision.
BINGO: THE WINNING MUSICAL
A playful nautical world for Okoboji Summer Theatre, using lakeside color, retail-comedy brightness, and musical-theatre clarity to support the show's fast humor and local charm.
THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED)
A playful, modular comic set built for speed, theatrical irreverence, and rapid-fire transitions through Shakespeare’s canon.
THE LIAR
A classical comic world built with elegance, color, and playful exaggeration, giving The Liar a refined environment that could support wit, deception, and fast-moving farce.
A SMALLTOWNE CHRISTMAS
A nostalgic holiday setting shaped around warmth, tradition, and small-town cheer, creating a festive world that supports community, memory, and seasonal spectacle.
URINETOWN
A dystopian musical world shaped through Brechtian and German Expressionist influence, using angular architecture, concrete textures, and symbolic lighting to sharpen the satire of Urinetown.
THE GLASS MENAGERIE
A memory-driven domestic environment shaped through scrim walls and a revealed cityscape, giving The Glass Menagerie a world suspended between fragile realism and the urge to escape.
AMERICAN IDIOT
Southern California concrete infrastructure fused with Green Day’s pulse, creating a stark environment of suburban monotony, urban decay, and restless transformation in American Idiot.
LAST TRAIN TO NIBROC
An intimate, warm playing space carved inside a much larger proscenium, using reclaimed barn wood, a slight rake, and a long backdrop to support closeness and quiet change in Last Train to Nibroc.
VANYA AND SONIA AND MASHA AND SPIKE
A Bucks County porch that feels both sheltering and restrictive, giving Vanya and Sonia and Masha and Spike a nostalgic domestic frame for rivalry, wit, and longing.
LITTLE SHOP OF HORRORS
A weathered, believable Skid Row storefront grounds Little Shop of Horrors, using brick, patched trim, and a compressed frame to support the show’s darker sci-fi stakes.
RICH GIRL
A contemporary Manhattan penthouse becomes an elegant shell for Rich Girl, pairing polished minimalism with emotional exposure to reflect wealth, restraint, and fracture.
ANGEL STREET
A dense Victorian drawing room for Angel Street, letting domestic realism and psychological unease coexist inside the same controlled interior.
DON'T DRESS FOR DINNER
A restored French farmhouse reimagined as both romantic getaway and comedic trap, using exposed timber beams, textured plaster, and a tightly organized layout to support farce.
ALL MY SONS
A postwar suburban home that looks orderly on the surface, then uses that openness to expose the moral tension and quiet collapse beneath the Keller family’s carefully maintained world.
THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS
A deteriorating domestic interior for The Effect of Gamma Rays on Man-in-the-Moon Marigolds, where faded surfaces, exposed repairs, and reclaimed timber mirror the family’s emotional instability.