An Inspector Calls
The Birling home rendered as a composed domestic world built to fracture under pressure, with order, sightlines, and entrances serving the play’s moral unraveling.
- Year
- 2022
- Company
- Okoboji Summer Theatre
- Project
- Drama
- Location
- Okoboji, IA
The Birling home in An Inspector Calls had to look composed before it could begin to fracture. At Okoboji Summer Theatre, the scenic design projected wealth, order, and social confidence while quietly setting up the pressure that the inspector's questions would expose.
Furniture placement, entrances, and sightlines were calibrated around interrogation. The space had to support drawing-room realism while gradually feeling less like a protected home and more like a room built for accountability.
Period detail was used with restraint so composition could carry the tension. I wanted the audience to recognize the comfort of the household, then watch that comfort become part of the trap.
Creative team
- Playwright
- J.B. Priestley
- Director
- Stephen Brotebeck
- Scenic Designer
- Brandon PT Davis
- Costume Designer
- Kirsteen Buchanan
- Lighting Designer
- Lennox Emery
- Sound Design
- Stephen Brotebeck
Links
Million Dollar Quartet
The Merry Wives of Windsor Cove
The Glass Menagerie
Bell, Book, and Candle
Head Over Heels
Romeo & Juliet
Much Ado About Nothing
¡LOTERIA: GAME ON!
A Funny Thing Happened on the Way to the Forum
Romero
Urinetown
An Inspector Calls
All's Well That Ends Well
Little Shop of Horrors
Tomás and the Library Lady
The Penelopiad
Company
American Idiot
Parliament Square
An Enemy of the People
The 25th Annual Putnam County Spelling Bee
Boeing, Boeing
The Bald Soprano
Vanya and Sonia and Masha and Spike
The Man of La Mancha
Dial “M” for Murder
All My Sons
Last Train to Nibroc
Rich Girl