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Parliament Square scenic design
The circular stone path and sparse political landscape.
The ritual staging geometry and fractured environment.
Concrete textures and political isolation.
The stone circle as a container for protest.
The cold palette and minimal architecture in view.
The environment's meditative austerity.
The scenic world pressing the political against the personal.
Symbolic decay and empty public space.
The scenic world's tension between resilience and sacrifice.
Rendering of the circular path, concrete surfaces, and ritual scenic composition.
Rendering

Production

Parliament Square

Company

University of California Irvine

Creative Team

Playwright
James Fritz
Scenic Designer
Brandon PT Davis
Costume Designer
Matthew Martinez
Lighting Designer
Jacob P. Brinkman
Sound Design
Ezra Anisman & Garrett Gagnon
Projection Design
Merle DeWitt III
Director
Jane Page

Notes

A circular stone path and fractured concrete world create a ritual landscape of protest, sacrifice, and political exhaustion in Parliament Square.

A circular stone path cutting through the stage anchored Parliament Square at UC Irvine. That image gave the scenic design a sense of repetition and ritual, echoing cycles of social struggle and Kat's movement toward her final act of protest.

Concrete, fractured surfaces, and a cold gray palette stripped comfort from the room. The environment felt public and isolating at the same time, pressing political action against private despair.

By keeping the design minimal, the stage could hold a meditative rhythm with a sharp edge. The stone circle, decayed textures, and empty space became more than backdrop; they gave sacrifice, resilience, and institutional pressure a physical form.

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