All My Sons
A postwar suburban home that looks orderly on the surface, then uses that openness to expose the moral tension and quiet collapse beneath the Keller family’s carefully maintained world.
- Year
- 2010
- Company
- Stephens College
- Project
- Drama
- Location
- Columbia, MO
A familiar postwar American backyard became the starting point for All My Sons at Stephens College. A modest house, open porch, and carefully maintained exterior created a world that first reads as stable, domestic, and complete.
As the play unfolds, that openness starts to work against the family. Private decisions and moral conflicts are placed in full view, so the realism of the setting becomes part of the pressure. I wanted the Keller home to feel ordinary enough that its unraveling felt more unsettling.
The design stayed understated on purpose. By avoiding overt symbolism, the backyard could hold the American Dream on the surface while quietly exposing the denial, grief, and accountability underneath it.
Creative team
- Playwright
- Arthur Miller
- Director
- Lamby Hedge
- Scenic Designer
- Brandon PT Davis
- Costume Designer
- Kate Wood
- Lighting Designer
- Emily Swenson
- Sound Designer
- Michael Burke
Links
Million Dollar Quartet
The Merry Wives of Windsor Cove
The Glass Menagerie
Bell, Book, and Candle
Head Over Heels
Romeo & Juliet
Much Ado About Nothing
¡LOTERIA: GAME ON!
A Funny Thing Happened on the Way to the Forum
Romero
Urinetown
An Inspector Calls
All's Well That Ends Well
Little Shop of Horrors
Tomás and the Library Lady
The Penelopiad
Company
American Idiot
Parliament Square
An Enemy of the People
The 25th Annual Putnam County Spelling Bee
Boeing, Boeing
The Bald Soprano
Vanya and Sonia and Masha and Spike
The Man of La Mancha
Dial “M” for Murder
All My Sons
Last Train to Nibroc
Rich Girl